Tag: creatives

  • AMVCA 12 Unveils Week-Long Celebration of African Film, Culture, and Creative Expression

    AMVCA 12 Unveils Week-Long Celebration of African Film, Culture, and Creative Expression

    The Africa Magic Viewers’ Choice Awards (AMVCA) returns for its 12th edition with an expanded, week-long lineup of events under the theme “Honouring Craft, Celebrating Culture.” This year’s edition is set to spotlight the richness of African storytelling, recognise industry excellence, and celebrate the continent’s vibrant creative spirit.

    Scheduled to take place from May 6 to May 9, 2026, AMVCA 12 will bring together filmmakers, actors, creatives, and culture enthusiasts from across Africa for an immersive celebration of film, television, and cultural expression.

    The week kicks off on May 6 with Young Filmmakers’ Day, a platform dedicated to nurturing emerging talent and fostering the next generation of African storytellers. The event will feature masterclasses, panel sessions, and networking opportunities designed to equip young creatives with the tools and insights needed to thrive in the industry.

    On May 7, the spotlight shifts to Icons Night, an evening dedicated to celebrating industry veterans and trailblazers whose contributions have shaped the African film and television landscape. This night underscores the “Honouring Craft” pillar of this year’s theme by recognising the legacy and excellence of pioneers in the creative space.

    The celebration continues on May 8 with the much-anticipated Cultural Night, a vibrant showcase of Africa’s diverse heritage through fashion, music, food, and performance. As a true reflection of “Celebrating Culture,” the event highlights the beauty, identity, and traditions that define the continent.

    The week-long festivities will culminate on May 9 with the prestigious Awards Night, where outstanding achievements in film and television will be recognised across multiple categories. The ceremony promises an unforgettable evening of glamour, entertainment, and recognition of excellence within the African entertainment industry.

    The AMVCA 12 Awards Night will air live across all Africa Magic channels from 7:00 PM (WAT), bringing the excitement of the celebration to audiences across the continent.

    With this expanded format, AMVCA 12 continues to evolve beyond an awards show into a dynamic platform that honours craftsmanship, celebrates culture, and amplifies African voices on a global stage.

  • Punchline Lagos Delivers an Unforgettable Evening of Laughter and Connection at the British Council, Lagos

    Punchline Lagos Delivers an Unforgettable Evening of Laughter and Connection at the British Council, Lagos

    It was an electrifying atmosphere of laughter, creativity, and cultural exchange as Punchline Lagos successfully hosted a vibrant comedy and entertainment experience at the British Council, Lagos.

    The event brought together a dynamic mix of comedy lovers, creatives, members of the diplomatic community, and entertainment stakeholders for an afternoon that seamlessly blended humour, networking, and artistic expression.

    Kicking off with a lively reception and curated mocktail session, guests were welcomed into a relaxed yet engaging environment that set the tone for the day. The programme featured an exciting lineup of 15 talented comedians, each delivering unique sets that resonated with diverse audiences and kept the atmosphere alive with laughter.

    A key moment of the event was the special recognition and awards presentation, where the British Council and distinguished personality Olubusola Ashiru were honoured for their continued contributions to cultural exchange, creative development, and entertainment impact.

    Speaking at the event, the organisers emphasised the importance of platforms like Punchline Lagos in fostering connection, storytelling, and creative expression:

    According to Godwin Okhawere, “Punchline Lagos is more than a comedy show, it is a cultural bridge that brings people together through shared experiences, laughter, and authentic storytelling. We are proud to host this at a globally respected institution like the British Council, where creativity and collaboration thrive.”

    “The event further reinforced Lagos’ position as a leading hub for entertainment and cultural innovation in Africa, showcasing how comedy and the arts can serve as powerful tools for engagement, dialogue, and unity,” Godwin stated.

    With an impressive turnout and overwhelmingly positive reception, Punchline Lagos has set a new standard for curated comedy experiences in the city, leaving attendees eagerly anticipating the next edition. Punchline Lagos is a premier comedy and entertainment platform dedicated to showcasing emerging and established comedic talent while creating immersive experiences that celebrate humour, culture, and community.

    Godwin Okhawere, is the curator of Punchline Lagos Comedy Club; a Nigerian comedian, actor, and creative entrepreneur. His work blends resilience, identity, and humour, inspiring reflection while sparking laughter. The comedy club, is championing emerging voices and creating spaces where art and comedy connect communities.

    To support and partnerships, kindly contact our support team: ‘Layo – 0818 235 2002; 0803 792 7967.

  • Punchline Lagos Set to Hold at the British Council on March 29

    Punchline Lagos Set to Hold at the British Council on March 29

    Punchline Lagos, a premium live comedy experience, will take center stage at the British Council, Lagos, on March 29, 2026. This landmark event is set to redefine city’s entertainment landscape by blending humour, cultural exchange, and high-energy performance within one of Lagos’ most iconic venues.

    Punchline Lagos is designed as a curated comedy platform that brings together some of the sharpest comedic voices, emerging talents, and cultural tastemakers for an evening of intelligent, relatable, and high-energy comedy. It brings together young professionals, executives, creatives, and decision-makers for an evening of refined comedy, intercultural exchange, and high-level social interaction.

    Speaking on the announcement, GodwinJP emphasized that “Punchline Lagos is about creating a space where comedy meets culture, where audiences will laugh, connect, reflect, and experience comedy at a higher level.”

    He further said, “We want to thank the British Council for this support and the choice of the location also keep us in focus on quality, cultural exchange, and world-class standards. As you know the British Council is known for supporting creative expression and the arts, the venue provides the perfect backdrop for Punchline Lagos’ vision of redefining live comedy experiences in Nigeria.”

    Punchline Lagos is expected to attract comedy lovers, creatives, culture enthusiasts, and industry stakeholders, positioning itself as a must-attend event on Lagos’ entertainment calendar. The event is supported by Cheetos, Spectranet, Nigeria-Britain Association, KLEO, JohnYa, Brand Mirror, Brand Colossus, Adun Suites, Kessington Lounge, Danny Prints, Zivang, 6to9 and PR Hub.

    Godwin Okhawere, is a Nigerian comedian, actor, and creative entrepreneur. His work blends resilience, identity, and humour, inspiring reflection while sparking laughter. As curator of Punchline Lagos Comedy Club, he champions emerging voices and creates spaces where art and comedy connect communities.

    Click the link to get your tickets now: https://tix.africa/discover/punchlinelagosxbritishcouncil

    For sponsorships, partnerships, or to book a space for your brand, products, or services, kindly contact our support team: ‘Layo – 0818 235 2002; 0803 792 7967.

  • MarkHack 5.0 to Explore Culture at the Center of AI Conversation in Nigeria

    MarkHack 5.0 to Explore Culture at the Center of AI Conversation in Nigeria

    As artificial intelligence rapidly reshapes how people create, communicate, and consume media, one critical question is emerging: how do we ensure technology evolves without eroding human culture, creativity, and lived experience? This question will take center stage at MarkHack 5.0, Nigeria’s leading marketing, media, and innovation conference, scheduled for Thursday, 5 June 2026, at the Oriental Hotel, Victoria Island, Lagos.

    Themed “The Culture Algorithm: AI × Human Experience,” MarkHack 5.0 will convene industry leaders, creatives, technologists, startups, policymakers, and cultural innovators to examine how algorithms are increasingly shaping identity, behavior, media, and everyday life and what it means for brands, creators, and consumers in Nigeria and across Africa.

    Organised by GDM Group in partnership with Eko Innovation Centre and Brand Communicator, MarkHack 5.0 reflects a deliberate shift from tool-centric AI conversations to a culture-first approach. At a time when AI adoption is accelerating across marketing, media, and the creative economy, the conference positions itself as a forum for deeper reflection on meaning, ethics, creativity, and human agency in an algorithm-driven world.

    This year’s edition will feature a curated mix of high-impact experiences designed to move the conversation beyond theory into lived reality. Keynotes and fireside conversations will bring together industry leaders, founders, creatives, researchers, and policymakers to unpack how AI is influencing culture, storytelling, consumer behaviour, and trust. A multidisciplinary hackathon and demo day will challenge startups building solutions at the intersection of AI, culture, and human experience, culminating in live demonstrations and recognition of standout ideas.

    MarkHack 5.0 will also introduce immersive content creation and media experiences, where filmmakers, creators, and media professionals engage with new storytelling formats shaped by technology and culture. Consumer-led panels will foreground real human perspectives, examining how everyday people experience AI-powered platforms, media systems, and digital products. Startup and corporate exhibitions will showcase innovations redefining marketing, media, lifestyle, and engagement, while the awards and recognition segment will continue to spotlight individuals and organisations driving meaningful change within Nigeria’s marketing, media, and technology ecosystem.

    Since launching in 2022 as Nigeria’s first marketing and media hackathon, MarkHack has evolved into a full-scale conference and thought-leadership platform. This evolution mirrors a broader industry shift, from experimentation with new tools to a deeper examination of how technology influences culture, creativity, and human values. MarkHack 5.0 builds on this legacy by expanding the conversation beyond performance and automation to include identity, lifestyle, and human experience.

    The conference provides marketers, founders, creators, investors, media practitioners, and innovators with a unique opportunity to connect, collaborate, and gain practical insights into how AI can enhance, rather than replace, human creativity and expression in emerging markets.

    Registration is now open at markhack.tech/pitch, and interested participants are encouraged to apply before the March 31st, 2026 deadline.

  • Turning Bold Ideas Into Breakthroughs at the Audacity Conference

    Turning Bold Ideas Into Breakthroughs at the Audacity Conference

    If you have spent enough time around entrepreneurial events, you know how easy it is for bold ideas to remain theoretical. Big words are said, applause follows, and everyone goes home unchanged. The Audacity Conference 2026, held in Lagos on January 24, refused to sit in that space.

    From the moment the conversations began, it was clear the conference was not designed as a motivational pit stop, but as a practical confrontation with fear, hesitation, and the habits that keep people playing small. The theme, Turning Bold Ideas into Breakthroughs, was treated as a responsibility.

    The audience reflected that intention. Entrepreneurs, creatives, professionals, and emerging leaders showed up with notebooks open and real questions on their minds. They were not there to be impressed but to be equipped with invaluable resources and insights.

    One of the strongest contributions came from Tricia Olufemi Olumide, popularly known as TriciaBiz. Her session avoided abstract encouragement and focused instead on execution. She spoke about building sustainable businesses, making branding decisions that actually convert, and leading with clarity rather than chaos. The underlying message was simple but uncomfortable: audacity without structure leads nowhere. If you want growth, you must be willing to build systems, learn marketing properly, and make decisions that hold up under pressure.

    Mrs Ibukun Awosika brought a different but equally necessary perspective. Drawing from decades of leadership across manufacturing, banking, and boardrooms, she addressed a tension many young leaders struggle with. How do you take bold steps without burning bridges or disrespecting systems that already exist? Her answer was not “rebellion” but the application of wisdom. Audacity, she emphasized, does not mean arrogance, it means knowing when to challenge, when to learn, and when to earn the right to change things.

    Apostle Emmanuel Iren added depth to the conversation by grounding ambition in purpose. His reflections on leadership and impact reminded attendees that growth without direction eventually collapses. Many people want success, but far fewer take the time to define why they want it and who it should serve.

    Behind the scenes, the conference structure reinforced its values. By offering free general admission alongside premium experiences, the organizing team removed a common barrier to access. It was a clear statement that growth conversations should not be reserved for a privileged few. Audacity, in this sense, was also about inclusion.

    By the end of the day, the takeaway was not a list of motivational quotes, but a shift in posture. Participants left thinking differently about their ideas, their timing, and their responsibility to act. The conference made one thing clear. Breakthroughs do not come from waiting to feel ready. They come from choosing to move forward with intention, community, and courage, even when certainty is unavailable.

  • Bare Fashion Evening Presents “The Runway Heist on Broadway” A Detty December Theatre-Style Fashion Spectacle

    Bare Fashion Evening Presents “The Runway Heist on Broadway” A Detty December Theatre-Style Fashion Spectacle

    Bare Fashion Evening is set to captivate Lagos this festive season with an extraordinary new edition titled “The Runway Heist on Broadway.” Scheduled for Sunday, December 14, at the prestigious Landmark Centre, Victoria Island, the event promises an electrifying fusion of fashion, theatre, music, and dance ushering in a refreshing creative direction for Nigeria’s runway culture.

    Positioned as a Detty December exclusive, The Runway Heist on Broadway reimagines the runway as a full theatrical stage, where models step beyond the traditional silent strut to embody expressive characters that drive a unified, Broadway-inspired narrative. This cinematic approach blends flamboyant metallics, fantasy aesthetics, dramatic cues, choreographed movements, and emotionally charged performances, bringing each designer’s work to life in unprecedented ways.

    The evening begins with a red carpet at 5:00 PM, followed by the main runway and theatre showcase at 6:00 PM. Guests will experience a seamless transition between fashion and performance art as young creatives present bold, story-driven collections interpreted through the expressive strength of the models. The showcase culminates in an exclusive after-party, where guests are required to attend with a handheld mask, preserving the theatrical mystique of the night.

    Bare Fashion Evening remains committed to championing emerging creatives, and this year’s edition amplifies that mission by positioning young designers and models at the forefront of a spectacular, narrative-led production. The event also targets a vibrant audience base that includes fashion enthusiasts, theatre lovers, students, influencers, young professionals, lifestyle creators, and supporters of Nigeria’s rising fashion talent.

    Tickets for the show are available in four categories 

    Broadway Lane (₦25,000)

    Broadway Circle (₦50,000)

    Broadway Diamond (₦100,000)

     Premium Broadway Lane Plus (₦50,000)

    Convener Jonarry Agraka described this year’s creative direction as a bold artistic leap, emphasizing that The Runway Heist on Broadway is a deliberate reminder that fashion transcends clothing — it is expression, storytelling, and performance. He added that this edition merges fashion and theatre on one stage to celebrate creativity in its purest form. According to him, his broader vision is to create a platform where young creatives within the ecosystem can be spotlighted by both local and international talent scouts, ultimately raising a new urban phenomenon.

    The Media Spokesperson further emphasized the heart of the production, stating, “Our models and designers are not just showcasing garments. They are bringing their journeys, their voices, and their art to Broadway. This edition is designed to elevate emerging talent and give audiences an immersive experience they will not forget.

    With its innovative blend of stagecraft, fashion artistry, and narrative depth, The Runway Heist on Broadway sets a new precedent for runway productions in Lagos. Bare Fashion Evening is once again pushing the boundaries of creativity, offering guests an unmissable December spectacle where style, drama, and storytelling converge under the spotlight.

  • Pivot Nigeria 2025: ‘Reframing the Lens’ Inspires A Positive National Narrative

    Pivot Nigeria 2025: ‘Reframing the Lens’ Inspires A Positive National Narrative

    Pivot Nigeria:Reframing the Lens is a national thought leadership platform created to reset Nigeria’s reputation agenda. Powered by HighStakes Public Relations Professionals (HighStakes PR Professionals), Pivot Nigeria catalyses dialogue to inspire pride, amplify authentic narratives, and co-create a stronger, more balanced Nigeria narrative.

    The inaugural Pivot Nigeria Conference, held recently, brought together thought leaders, innovators, journalists, entrepreneurs and youth to emphasise the urgent need for Nigerians to own and shape Nigeria’s narrative. The conference blended high-impact keynotes, panels and hands-on co-creation labs to inspire action.  

    Urging attendees to become ambassadors of truth and optimism for Nigeria, Pivot Nigeria convener, Victoria Uwadoka-Anyianuka set the tone: “We are not here to complain or to lament; we are here to reframe the lens on how we see ourselves as Nigerians. Changing how others see us starts with how we present and represent ourselves. Our mission is to challenge the prevailing narratives, to spotlight authentic stories, and to co-create a narrative that reflects Nigeria’s true story.”

    The conviction that Nigerians must first change how they see themselves before looking for external validation echoed throughout the day, from the keynote and plenary sessions to the co-creation labs. The conference focused on culture as capital, who tells our story and why it matters, reconciling criticism with commitment, and the role of the media in changing the narrative. 

    Mr. Richard Mofe-Damijo, Nigerian actor, lawyer, filmmaker, and cultural icon popularly known as RMD spoke about the paradoxes of Nigeria: “Nigeria is a beautiful country. It is a great country. On the one hand, it can frustrate you to the point where you feel like ‘I’m getting out.’ But on the other hand, it can give you so much that you’ll be wondering why it took you so long to unlock the keys that give you entrance to the bountiful opportunities that you find in Nigeria.”  

    He added that Nigeria, as a country, needs to go back to the drawing board, to see who we are, “It is when you have articulated who you are that your people can see.” 

    On his part, Mr. Emeka Mba, Founder and CEO of AfiaTV said, “Who tells your story and how it is told is often how you are seen. Too often, our stories are told by outsiders. Building inclusive national narratives, consistent cultural diplomacy, and deliberate policies to rebuild trust are essential to shaping how the world perceives us. If you look at emerging news platforms like AfiaTV and News Central, there is a deliberate editorial direction, a recognition of the power the media wields, and the duty it has to project balanced, accurate, and responsible portrayals of Nigeria, particularly to international audiences.”

    Speaking in the same vein, Rosemary Egabor-Afolahan, Director, Commercial and Communications, News Central TV said,  “The story of Nigeria, in all its complexity, courage and brilliance, must no longer be told by others, through filters of fear or foreign bias. It must be told by us: boldly, responsibly, and completely.  For far too long, the image reflected of Nigeria has been distorted, reduced to the cliches of conflict, corruption, disease, and despair.”  

    Emphasising the critical role of the media in changing the narrative, Rosemary added,  “At News Central TV, we took a stand. We chose to change the narrative not by ignoring the challenges, but by contextualising them, by highlighting progress alongside problems, and most importantly, by amplifying voices that are too often silenced and overlooked.” 

    Pivot Nigeria conference participants converted ideas into action in the co-creation labs and proffered solutions: reclaim Nigeria’s story through citizen action; promote balanced, indigenous storytelling; embed civic education and national values in school curricula; leverage creative industries (film, music, fashion, tech) as soft-power engines; push for stronger accountability in governance; and scale Pivot Nigeria through campus ambassadors and community chapters to sustain awareness about the currency of reputation as capital. 

    Nneka Isaac-Moses, Meche Isaac-Moses, Nina Anyianuka, Temitope Aina, and Nneamaka Nwadei highlighted narrative power as a tool of diplomacy, trade, and cohesion, urging collective action by the media and all stakeholders to reclaim the Nigeria story. 

    The “Pivot Nigeria: Reframing the Lens” initiative is a call for citizens, creatives, media houses, government institutions, the private sector and the diaspora to interrogate and reframe their presentation and representation of Nigeria, and to use their everyday platforms (including social media) responsibly to reflect a balanced, authentic Nigeria narrative. 

  • Afreximbank’s Creative Africa Nexus (CANEX) unveils third edition of short film competition

    Afreximbank’s Creative Africa Nexus (CANEX) unveils third edition of short film competition

    Filmmakers between the ages of 18 and 35 years can enter the competition for a chance to win a cash prize of $2,000 for outstanding work in each of the competition’s three categories: Best Fiction, Best Documentary, and Best Animation

    Creative Africa Nexus (CANEX), an intervention by African Export–Import Bank (Afreximbank) has announced the third edition of its vibrant short film competition, CANEX Shorts, that is designed to recognise and celebrate talents of young filmmakers from Africa and the Diaspora.  

    Filmmakers between the ages of 18 and 35 years can enter the competition for a chance to win a cash prize of $2,000 for outstanding work in each of the competition’s three categories: Best Fiction, Best Documentary, and Best Animation. To be eligible, they must be Africans living on the continent, in the diaspora or the Caribbean. Each filmmaker can only enter one film for which they must hold all rights. The entered films should have been produced in 2023 or after and can be in any language.  

    Besides the cash prize, CANEX Shorts winners will also get an opportunity to participate and have their films screened at CANEX at IATF2025, which will take place in Algiers, Algeria, from 4 – 10 September 2025. This will also provide them with a chance to connect with potential investors and partners in what has become the largest gathering of creatives on the continent. 

    To enter the competition, filmmakers are required to submit their films, not more than five minutes long, via the Film Freeway digital platform (https://FilmFreeway.com/CANEXShorts). From all entries, the selection committee will curate a shortlist of 30 films – 10 films per category for submission to the jury that comprises, well-respected film experts from across the continent. The jury will then select a winning film in each of the categories during CANEX at IATF2025. 

    The 2024 CANEX shorts winners were unveiled at CANEX WKND 2024. The winning films were: Silent Screams by Esenaga Mbwe (Botswana) in the CANEX Shorts Best Fiction category; We Shall Not Forget by Brian Obra (Kenya) in the CANEX Shorts Best Documentary category; and Room-5 by Francis Y. Brown (Ghana) in the CANEX Shorts Best Animation category. According to the jury, the quality of films submitted during CANEX WKND 2024 was exceptionally high, necessitating award of two Special Mentions: Vodoun Nouminssin and Rain Is Not the Cloud’s Last Parade

    CANEX at IATF2025, where the winners will be unveiled, will provide a unique platform for nurturing business, investment opportunities, collaboration, partnerships and inspiration amongst the creatives fraternity across value chains of diverse creative and cultural industries from film, music, and fashion to culinary arts, sports, and visual arts amongst others. The event participants will include creatives, policymakers, financial institutions, business and political leaders, development partners, thought leaders as well as some of the most respected names in the Creative and Cultural Industries from across the continent and the diaspora.  

    Highlighting the importance of the competition, Mrs. Kanayo Awani, Executive Vice President, Intra-African Trade and Export Development at Afreximbank said: “Africa’s film industry, estimated at over $5 billion is thriving and brimming with untapped potential,” adding, “At Afreximbank, we are committed to unlocking this immense value by supporting platforms like CANEX Shorts that aim to propel African storytelling to the global stage. By investing in our creatives, we are not only creating jobs and economic opportunities; we’re actively ensuring Africa’s vibrant culture and talents gain global recognition.” 

    To enter the 2025 CANEX Shorts competition, please visit Filmfreeway: https://FilmFreeway.com/CANEXShorts.

  • New African Magazine reveals the 100 Most Influential Africans of 2023

    New African Magazine reveals the 100 Most Influential Africans of 2023

    Okonjo-Iweala, Akinwumi Adesina, Teju Cole others make the list from Nigeria

    New African magazine released its annual listing of the 100 Most Influential Africans of 2023. The list celebrates the achievements and contributions of Africans from various fields and sectors, who have positively impacted the continent and the world.

    The list features a diverse and inspiring group of men and women, who have demonstrated excellence, innovation, leadership, resilience, and vision in their respective domains. They include politicians, entrepreneurs, industrialists, environmentalists, creatives, scientists, educators, sports personalities, and more.

    The list also reflects the shifting trends and priorities in Africa, as the continent faces new challenges and opportunities in the post-pandemic era. Creatives dominate the ranking with 31 representatives, including singer, Abel Tesfaye, aka The Weekend, filmmaker Alice Diop and writer Nana Darkoa Sekyiamah.

    The second category with the highest number of entries was the Business section, with 25 entries. The section included two behemoths from DFIs, supporting a private sector approach to investing: Samaila Zubairu from Africa Finance Corporation and the President of Afreximbank, Benedict Oramah, undoubtedly Africa’s juggernaut from the last few years leading Africa’s transformation. Also on the list is the former CEO of Eskom and whistleblower who nearly paid with his life André de Ruyter.

    Nigeria was the country most represented on the list, highlighting the country’s dominance in the creative sector and business. William Ruto, the President of Kenya, and Bola Tinubu, President of Nigeria, were the only heads of state to make it, along with the Guinean military leader Mamady Doumbouya. Doumbouya created quite a stir at this year’s UN General Assembly and appears to have found a solution around the Simandou mining saga.

    With Climate Change at the top of the agenda, the list features several players in the environmental space, such as James Mwangi, formerly from Dalberg Group who has set up his own venture fund investing in climate related businesses, and Elizabeth Maruma Mrema, the Executive Secretary of the UN Convention on Biological Diversity.

    In the media, we have two media leaders from Côte d’Ivoire, Fabrice Sawegnon, founder of communications agency Voodoo, and Daniel Ahaoussa, serial entrepreneur and founder of a number of websites in West and Central Africa. Also included are the journalist Alan Kasujja, the BBC journalist, and Branko Brkic, founder of Daily Maverick, arguably the most powerful media in South Africa today.

    And in sports, record breakers Faith Kipyegon and Kelvin Kiptum make it, as well as the Springboks team, under the leadership of their captain Siya Kolisi. Patrice Motsepe, the President of CAF, a close friend of FIFA president Gianni Infantino and an increasingly influential voice in sports, is also included.

    The 100 Most Influential Africans of 2023 is a special edition of New African magazine, which offers a comprehensive and insightful overview of the lives and achievements of the selected individuals. The magazine also provides a platform for the readers to learn from their stories, and to be inspired by their examples.

    Download the 100 Most Influential Africans of 2023 special edition of New  African: https://apo-opa.co/4aL1VB7

    The 100 Most Influential Africans 2023 List:

    Politics and Public Service

    William Ruto

    Ibrahima Cheikh Diong

    Sidi Ould Tah

    Akinwumi Adesina

    Ngozi Okonjo-Iweala

    Bola Tinubu

    Mamady Doumbouya

    Ousmane Sonko

    Nadia Fettah Alaoui

    Tsitsi Masiyiwa

    Tidjane Thiam

    Business

    Mohamed Kande

    Sim Tshabalala

    Karim Beguir

    Didier Acouetey

    Olugbenga Agboola

    Samaila Zubairu

    Prof. Benedict Okey Oramah

    Ralph Mupita

    Ibrahim Sagna

    Simon Tiemtoré

    Jules Ngankam

    Riham ElGizy

    André de Ruyter

    Aliko Dangote

    Ham Serunjogi

    Serge Ekué

    Bahija Jallal

    Coura Sène

    Bernard Koné Dossongui

    Hassanein Hiridjee

    Shola Akinlade

    James Mwangi

    Pascal Agboyibor

    Science and Academia

    Anna Adeola Makanju

    Chao Tayiana Maina

    Nemat Talaat Shafik

    Ismahane Elouafi

    Moungi Bawendi

    Timnit Gebru

    Environmental

    James Irungu Mwangi

    Ephraim Mwepya Shitima

    Wanjira Mathai

    Rashid Sumaila

    Elizabeth Maruma Mrema

    Dr Musonda Mumba

    Creative

    Kaouther Ben Hania

    Danai Gurira

    Ncuti Gatwa

    Black Coffee

    Tyla Laura Seethal

    Temilade “Tems” Openiyi

    Lesley Lokko

    Mulenga Kapwepwe

    Alice Diop

    Wanuri Kahiu

    Bassem Youssef

    Malenga Mulendema

    Jadesola Osiberu

    Editi Effiong

    Ali Said Alamin Mandhry

    Abel “The Weekend” Tesfaye

    Pretty Yende

    Julie Mehretu

    Pierre Thiam

    Teju Cole

    Thebe Magugu

    David Diop

    Burna Boy

    Serge Attukwei Clottey

    Nana Darkoa Sekyiamah

    Aïda Muluneh

    Omoyemi Akerele

    Mariam Issoufou Kamara

    Victor Ekpuk

    DJ Snake

    Gandhi “Maitre Gims” Djuna

    Media

    Claude Grunitzky

    Chioma Nnadi

    Edward Enninful

    Alan Kasujja

    Wode Maya

    Anton Harber

    Khabane “Khaby” Lame

    Charity Ekezie

    Moses “Uncle Mo” Kiboneka

    Branko Brkic

    Tomiwa Aladekomo

    Marie Mbullu

    Nicolas Pompigne-Mognard

    Daniel Ahaoussa

    Fabrice Sawegnon

    Sports

    Francis Ngannou

    Faith Kipyegon

    The Springboks, led by captain Siya Kolisi

    Patrice Motsepe

    Kelvin Kiptum

    Victor Osmihen

    Biniam Girmay

    Yassine Bounou