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Tag: Female Fear Factory: Unveiling Patriarchy’s Culture of Violence

  • Karavan Press bags Creative Africa Nexus (CANEX) Book Factory Prize for Publishing in Africa 2025

    Karavan Press bags Creative Africa Nexus (CANEX) Book Factory Prize for Publishing in Africa 2025

    …Karavan Press was recognised for its book In Silence My Heart Speaks by Thobeka Yose, winning the $20,000 top prize

    Karavan Press, an independent publisher based in Cape Town, South Africa is the winner of the 2025 edition of the CANEX Book Factory Prize for Publishing in Africa that celebrates and recognises outstanding contributions of African publishers and authors to the literary world.

    Karavan Press was recognised for its book In Silence My Heart Speaks by Thobeka Yose, winning the $20,000 top prize. The Prize was presented by Algeria’s Minister of Culture and Arts Azzedine Mihoubi during an award ceremony held during the ongoing Intra-African Trade Fair 2025 (IATF2025) in Algiers. Finalists received $2,000 each.

    The Prize is a joint initiative of the Creative Africa Nexus (CANEX), an intervention by African Export–Import Bank (Afreximbank) in partnership with Narrative Landscape Press Limited. It aims to showcase the literary and publishing value chain in Africa and developing literary talent across the continent and the Diaspora.

    “Through the CANEX Book Factory Prize for Publishing in Africa, we continue to strengthen Africa’s creative economy by elevating publishers and amplifying African narratives to global audiences. Besides the Prize, we deliver a Pan-African writing workshop, and e-newsletter highlighting African literature, to spotlight and elevate the African book value chain,” said Afreximbank’s Director for Intra African Trade and Export Development (Creatives and Diaspora), Temwa Gondwe.

    Now in its second year, the Prize attracted over 80 submissions from across the continent, reflecting the diversity and vitality of African storytelling. Publishers submitted trade books published for a general audience and widely available through libraries and bookstores. The entries spanned fiction, non-fiction, and poetry, in hardcover and paperback, with an emphasis on works printed and published on the continent and written in indigenous languages. Entries could be in one or more of the official languages of the African Union: Arabic, English, French, Portuguese, Spanish, Swahili, and any other African language. Submissions were judged on the quality of writing, editing and production.

    The jury comprised Dr. Boukenna Abdelaziz, Professor of History at Algiers University; Lavaille Lavette, President of JVL Media; and Prof. Egara Kabaji, Professor of Literary Communication at Masinde Muliro University of Science and Technology. The jury lauded the outstanding quality of writing, editing, and production.

    The Prize is one of the activities under the CANEX Book Factory, an annual programme of events under Afreximbank’s CANEX initiative culminating in the awards ceremony. Last year, Cassava Republic Press (Nigeria) won the top prize during the inaugural edition of the CANEX Book Factory Prize for Publishing in Africa for the book Female Fear Factory: Unveiling Patriarchy’s Culture of Violence by Pumla Dineo Gqola.

    CANEX at IATF is billed as the largest gathering of creatives from Africa and the Diaspora across value chains of diverse creative and cultural industries from film, music, and fashion to culinary arts, sports, and visual arts amongst others. The weeklong summit has convened continental and global players to showcase and exhibit their goods and services, and to explore business and investment opportunities within the rapidly expanding creative economy. It is being held as part of IATF2025, hosted by the People’s Democratic Republic of Algeria and co-convened by Afreximbank, the African Union Commission and the African Continental Free Trade Area (AfCFTA) Secretariat. The weeklong event is projected to facilitate trade and investment deals worth over US$44 billion.

    IATF is a platform for businesses to showcase their goods and services to visitors and buyers while exploring opportunities and exchanging information. IATF aims to tap into opportunities from AfCFTA’s single market of over 1.4 billion people and GDP of over US$3.5 trillion. The ongoing IATF2025 is its fourth edition with the last three editions of IATF cumulatively generating over $118 billion in trade and investment deals and attracting more than 70,000 visitors and 4,500 exhibitors

  • Creative Africa Nexus (CANEX) announces 2nd Edition of The Prize for Publishing in Africa

    Creative Africa Nexus (CANEX) announces 2nd Edition of The Prize for Publishing in Africa

    …the prize is open to trade books published by Africa-domiciled publishers in the year preceding the prize, in one or more of the official languages of the African Union: Arabic, English, French, Portuguese, Spanish, Swahili, and any other African language

    Creative Africa Nexus (CANEX), an intervention by African Export–Import Bank (Afreximbank) invites African publishers of trade books to apply for the second edition of the CANEX Book Factory Prize for Publishing in Africa.

    The initiative, developed in partnership with Narrative Landscape Press Limited, underscores the commitment of Afreximbank through the CANEX Book Factory to showcasing of the literary and publishing value chain in Africa, and developing literary talent across the continent and its diaspora. The inaugural edition saw Cassava Republic Press, win the Prize in 2024 for the “Female Fear Factory: Unveiling Patriarchy’s Culture of Violence,” by Pumla Dineo Gqola.

    The CANEX Book Factory Prize for Publishing in Africa is designed to celebrate and recognise the outstanding contributions of African publishers and authors to the literary world. The total prize fund is $28,000, with $20,000 awarded to the winner and $2,000 distributed to each of the four finalists. The prize is open to trade books published by Africa-domiciled publishers in the year preceding the prize, in one or more of the official languages of the African Union: Arabic, English, French, Portuguese, Spanish, Swahili, and any other African language.

    Submissions will be judged on the quality of writing, editing and production. Priority will be given to books printed and produced on the African continent, as well as to books published in indigenous African languages. Interested publishers should visit https://apo-opa.co/4hsvFVy to register, with entries open from 17 March – 30 April 2025.

    The CANEX Book Factory is an annual programme of events under Afreximbank’s Creative Africa Nexus initiative. This year’s programme will culminate in an awards ceremony at the fourth edition of the Intra-African Trade Fair (IATF), Africa’s premier trade and investment event, taking place in Algiers, Algeria from 4 – 10 September 2025.

    During the week-long fair, more than 2,000 exhibitors, including businesses from the African continent and globally, will be showcasing their goods and services to the visitors and buyers while exploring opportunities and exchanging information. This is projected to translate into over US$44 billion in trade and investment deals.

    Mrs. Kanayo Awani, Executive Vice President, Intra African Trade and Export Development, Afreximbank, said, “We are delighted to announce the 2025 CANEX Book Factory Prize for Publishing in Africa. Building on last year’s successful edition, this landmark initiative celebrates African publishing excellence. Through the CANEX Book Factory, we aim to put a spotlight on the enormous contribution of African authors and publishers to Africa’s cultural identity and economy.”

    Dr Eghosa Imasuen, co-founder of Narrative Landscape Press Limited and Programme Manager for the CANEX Book Factory, said, “The first edition of the Prize greatly underscored the necessity of this intervention in the publishing value chain in Africa. We are grateful to Afreximbank and CANEX for their ongoing support of African publishing. We are excited to launch this second edition, and we hope to see submissions from more publishers across the continent than in the inaugural edition.”